Wednesday, February 25, 2009

Shakespeare : the world as stage

If anyone were to describe an author or speaker as capable of delivering 200 pages of text on virtually nothing, it would not generally be interpreted as a compliment. Bill Bryson, however, has managed to do just that and it is interesting and informative to boot.

There is very scant information about William Shakespeare in the historical record. Of course, the less information there is, the more room there is for speculation and the theories about Shakespeare's life and works go a long way toward filling out this volume.

Bryson begins with background information about the time, place, and society of Shakespeare's day. We learn about food (only the very poor ate vegetables; tea and coffee were unknown), schooling (early morning to late at night, six days a week), landmarks (London Bridge could qualify as a city on its own), health (or, more accurately, the lack of it), and, of course, entertainment (bear-baiting and other blood-sports were the recreation of choice).

Contrast today's behaviour at St Paul's cathedral with what was standard in the 1600s:
"...the cathedral was an infinitely noisier and more public place than we find today. Carpenters, bookbinders, scriveners, lawyers, haulers, and others all plied their trades within its echoing vastness, even during services. Drunks and vagrants used it...as a place of repose; some relieved themselves in corners. Little boys played ball games in the aisles until chased away. Other people made small fires to keep warm." (pg. 52)

Or compare their badges of affluence to ours: "Such was the popularity of sugar that people's teeth often turned black, and those who failed to attain the condition naturally sometimes blackened their teeth artificially to show that they had had their share of sugar, too." (pg. 55)

Although there is scant information to provide details on exactly where Shakespeare lived or which school he attended, we do have a detailed picture painted of what life was like in his day.

As that picture is revealed, Bryson summarizes the major theories of how Shakespeare might have fit in that world, and then evaluates those theories based on whatever information he has been able to assemble. We are regularly reminded that this is mostly conjecture, rather than knowledge, but we are told why the author endorses some theories and dismisses others.

On the whole, I found this an entertaining book. Although it is packed with information, it is not dry. Bryson has done an admirable job of pulling out memorable details about the culture. The vivid cultural picture not only provides a background for suppositions on Shakespeare's life, but also frames a context for his plays and other works.

Shakespeare : the world as stage by Bill Bryson. Published in 2007 by Atlas Books (HarperCollins imprint) as part of their "Eminent lives" series. ISBN: 978-0-06-074022-1